Architectural Alchemy: The Art of Lars Jerlach
Brutalism, with its characteristic bold geometric forms and emphasis on function over ornamentation, aims to elevate what is essential. When one hears the term “brutalist,” one may initially picture something very linear and austere. Brutalist architecture may be thought of as devoid of decoration, but that is somewhat of an oversimplification. Brutalist buildings demand their own way of looking – the form and structure of brutalist architecture demonstrates honesty – purity even.
Lars Jerlach explores a way of looking at brutalist architecture that emphasizes the need for intellectual and emotional honesty in a world saturated with manipulated and distorted visual information. Jerlach poses questions about how we situate ourselves in the world in relation to the history, images, narratives, and other information we consume. Through his artwork, Jerlach compels us to reimagine our role within broader society in relation to his observations, inviting us to appreciate what is essential to the human experience and to consider what is real and what is manipulated. Just as Brutalism sought to adopt earlier principles of postwar design when reconstruction was a necessity, Jerlach’s work draws attention to a societal reconstruction – bringing the collective consciousness back to something that is much purer and unadulterated.
His work underscores the contemporary context in which humans operate and observes the omnipresence of visual content in our daily lives due to the constant stream of imagery we encounter –both real and artificial. While exploring those links, Jerlach pays homage to the austere beauty of brutalist architectural design by translating the essence of brutalist architecture into thought-provoking artworks that engage with space, texture, and form. His pieces resonate with the very ethos of brutalism – the integration of form and function, and the articulation of structure.
The bold visual statements Jerlach crafts are an invitation to reconsider our relationship with the built environment, our perceptions of functionality, and our understanding of the very materials and context that shape our surroundings. In this sense, Jerlach's art serves as a catalyst for contemplation and discourse, prompting viewers to consider their place and role within society.
Jerlach currently is Associate Professor of Art at Southern Maine Community College. He lives and works in Portland, Maine and is represented by Artly International.
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